In my Research Secrets column in the national writing magazine Writers’ Forum this month #214 Aug 2019, I interview Ally Sherrick about the research she did to weave mythology into WWII historical events for her children’s adventure book, The Buried Crown.
Ally Sherrick set her story at the Sutton Hoo site, where the famous early 7th century longship burial and grave of what is believed to be Redwald, King of the East Angles and High King of Britain was discovered in 1939 on the eve of the outbreak of war. The ship contained grave goods ranging from humble domestic items such as cups and buckets to some of the most stunning treasures ever discovered in northern Europe. Many of the most precious items, including the famous Sutton Hoo helmet, shield and sword belt, are decorated with dragons which the Anglo-Saxons believed liked nothing better than to sit beneath burial mounds jealously guarding treasure hoards.
This was the inspiration for her idea of a story about a dragon-headed crown based during WWII. Ally told me:
A sense of place is very important to me in my writing, both as a source of inspiration, and also as a character. I had visited the burial mounds and museum at Sutton Hoo, run by the National Trust, a number of years ago, but of course, once I started writing my story, I knew I would have to go again. And I was keen to revisit Woodbridge, where George meets Kitty and where her granddad’s museum – loosely based on Woodbridge Museum – is located.
Her novel is full of realistic descriptions of what it was like for a child to be a refugee during WWII. She did extensive research into the Jewish child refugees who travelled to Britain on the Kindertransports. She was also inspired by the stories her dad use to tell her about what it was like to be parted from his family and sent to live in the countryside.
As the story is set in rural Suffolk, Ally wanted to be sure to try and capture elements of the local accent for characters like Bill Jarvis, the cruel farmer George lodges with. Ally explained this involved listening to recordings of Suffolk voices on the internet and identifying little idiosyncrasies of pronunciation which would give a flavour of the difference in speech between Londoners George and Charlie and the Suffolk-based characters. For example for words with ‘ing’ endings, Bill Jarvis will always say ‘en’ instead.
Though all the German characters in the Buried Crown speak English pretty fluently, Ally did have them use German phrases at certain moments for emphasis or added drama. She told me that even though she does not speak German herself, she was able to run things past a good friend who is German, and her publisher, Chicken House, also had this double-checked too.
I am extremely grateful to everyone who helped me with checking the various elements of my story. Some of them were acquaintances, but others I approached via museums or special interest societies, the contact details for which I sourced from the internet. All were more than happy to help, and I know the book is more authentic as a result. As I say in the acknowledgements, all errors are my own!
Ally’s tip for other writers is to follow your curiosity wherever it may lead you. She found it added extra dimensions and layers to her novel.
You can read the full interview in the August 2019 #214 issue of Writers Forum.