In issue #182 Dec 2016 of Writers’ Forum I spoke to my friend, Jo Franklin, about why she prefers to write about children who feel they are on the edge of society.
She explained that for most of her childhood she lived on a small farm in rural Sussex with hardly any social life. When she was eleven she was sent to boarding school. It was a very strange combination – the claustrophobic all female environment during term time and the boredom of the farm during the holidays. She never felt that she belonged in either place so felt very isolated. She read books as my means of escape and this led her to Sylvia Plath.
“I totally related to Esther in The Bell Jar. It was a revelation to me that Sylvia Plath could write so openly about her deepest feelings, thinly disguised in a novel and she got recognition for it. I knew that was what I wanted to do.” (Jo Franklin)
Jo joined a creative writing class at The City Lit in London and started putting words down on paper – stories about teenagers struggling with first love and identity; taking bits of her tortured soul and refashioning them into words on paper.
She discovered the important thing about writing for children is to find your inner child and reconnect to it so that your writing is convincing and real. Jo advises authors who want to write for children to ‘write who you are’ as if you can channel some of your own experience into the characters they will be rounder.
Jo found herself writing about characters who are on the edge of the society they live in – tomboys, geeks and outsiders. Some of her misfit characters wonder what they should do to fit into the mainstream. Others are more confident with who they are and the stories show that maybe society should open their hearts to the fringe characters in our world. Exploring the issues that children face is actually a way of exploring your own issues.
In her book, Help I’m an Alien, Dan feels such a misfit that when his sister tells him he’s an alien, he believes her. In Help I’m a Genius (the second title in the series) Dan is so intimidated by the brain power of the rest of his family, that when he is selected to represent the school in a National Brainiac Competition, he is convinced he is going to humiliate himself. He recognises that he doesn’t fit in and the stories explore how he feels about that. I’m interested in the range of emotions that go with searching for your own identity.
Jo doesn’t write specifically for girls or boys as she believes children’s books should be universal .
“I hope that my stories are accessible to everyone regardless of whether the main character is male or female.They are written with a broader outlook, but publishers sometimes get hung up on which slice of the market they are focusing on selling the books to. My worst fear is a publisher giving one of my books a girlie pink cover. I was a tomboy growing up and I still hate pink.” (Jo Franklin)
Jo told me a great children’s book needs to be written from a child’s heart and soul. The voice has to resonate as true. It doesn’t matter whether a book is funny, exciting or mysterious it somehow has to lead the characters on a thrilling journey of self-discovery and include emotional insight as well as enthralling action. Some of the facts of children’s lives are different now – technology dominates their lives – but they still face the emotional journey we all went through.
Her advice is if you want to give writing for children a go, a good way to start is to work on a memory and see where it takes you. How did you feel the first time you saw your mother/father cry? Remember that time you did something wrong and you passed the blame onto someone else with disastrous consequences? What did it feel like to walk into your new school aged eleven? Choose one of these and write for fifteen minutes. See where it takes you. Enjoy it. Don’t worry about anything other than your joy at putting words on paper.
The next step is to join a writer’s circle, critique group or creative writing class. It’s a great way to begin learning your craft and meeting like-minded people. Perseverance is the thing which differentiates a published author from the many aspiring but unpublished writers.
You can find out more about Jo Franklin, her books and writing life on her website www.jofranklinauthor.co.uk and follow her on Twitter @jofranklin2
To read the complete feature you can purchase a copy of Writers’ Forum issue #182 Dec 2016 online from Select Magazines.
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